Homemade Boeing 737 Flight Simulator

One flight sim enthusiast takes the hobby to the next level by constructing a Boeing 737 sim out of a retired airliner.

After purging the 737 nose shell of old equipment, Price and a team of fellow sim enthusiasts began installing genuine Boeing 737 parts collected over the years.

The main simulator software used for the outside visuals, weather generation, aircraft flight modeling, etc., is X-Plane version 10 from Laminar Research.

X-Plane is interfaced to other software using a plugin called "XPUIPC" written by Torsten Spiering. This module allows add-on software to send and receive any X-Plane data required to maniplulate virtually any part of the simulator, including aircraft, weather, systems, etc.

The pilot instrument displays, flight management system, autopilot, most aircraft systems, and some portions of sound control are provided by a program called "Sim-Avionics," written by Mark Hastings. This software can emulate either the Boeing 777 or 737 systems. It is quite extensive and very detailed. Using this software the simulator has nearly every flight control aspect of the real aircraft.

The FMS CDU hardware units are built by Flightdeck Solutions and authentically replicate the real units.

All of the wiring interfaces including lights, switches, buttons, relays, numerical displays, and gauge interfaces, are connected and controlled via two "EPIC" I/O cards produced by R&R Electronics. Using this hardware/software combo Price can 'talk' to and control every aspect of the electrical components in my simulator.

**All of this software is integrated and controlled using two programs that Matt Ford and Price have written for private use from scratch using MS Visual Basic and readily available public data for the 737 systems. It has taken them over ten years to get to the point of high level accurate simulations of almost every system in the aircraft.
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There are vibration transducers installed under the floor, two subwoofers, and twelve speakers in various locations to put all the sound effects in their proper relative areas.